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These have included using thallium to make his famous beard fall out, or LSD to make him sound mad during a radio broadcast. A lot of these plots are impossible to substantiate properly, though there can be no question that many people wanted Castro dead. He was a noted pedestrian, and was often employed by gentlemen in the neighbourhood on commissions to London and other places, which he always executed on foot with fidelity and diligence.

He lived in a neat stone cottage of his own building; and what was remarkable, he had literally carried it upon his head! On its first day of operation, passengers who had never seen such a thing before were naturally apprehensive. Harris was later clerk of works on the project to install escalators at Charing Cross when the remains of an ancient oak tree were discovered during the excavations. This was used to make furniture for the admiralty, but also an ornamental walking stick for Harris, which was presented to him in On Wednesday 15 January in Boston, Massachusetts, a foot wide cast iron tank containing two-and-a-half million gallons of crude molasses for rum manufacture exploded, probably because its contents had expanded during a rapid overnight rise in temperature.

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The tank, belonging to the United States Industrial Alcohol Company, was set 50 feet above street level; its entire contents spilled within a few seconds and with no warning. It demolished buildings, tearing them from their foundations; it carried off vehicles and drowned horses.

People who tried to outrun the wave were engulfed and drowned where they fell. The clean-up took weeks, and for decades afterwards the locals claimed they could distinctly smell molasses in hot weather. In , nine-year-old Daisy Ashford wrote a novel and forgot all about it. She gave up writing fiction for good at the age of The novel was praised for its clever plotting and keen observation of Victorian manners, and went into several editions. The conjuror would perform such feats as giving the name of any masked member of the audience; he would play music on an ordinary walking stick; he would turn himself into any person, dead or alive and finally, he would climb into an ordinary-sized wine bottle.

By 7pm the theatre was packed out, with crowds still trying to get in. It was 16 April , and the advert, published in a French newspaper, invited readers to take part in a special experiment. Many of the takers were so impressed by the uncanny accuracy of the personality profile that they wrote back to say so. In all, 94 per cent of the respondents pronounced themselves satisfied with it — even though everyone had received the same document. The man behind it all, psychologist Michel Gauquelin, had commissioned a professional astrologer to do a chart and interpretation for a real person who had been born in Auxerre at 3am on 17 January That very special person grew up to become Dr Marcel Petiot.

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Aura Photography whitespace Gallery. Sound Ecology Generator. ReImagine Gallery Late Night pres. Laura Indorf Banshee. Movement Love Atlanta Contemporary. Michael Billington explores the source material for The Duchess of Malfi and the play's reception over the last years, and argues that Webster uses the tragedy to offer a vision of human existence as chaotic and unstable. The Duchess of Malfi is an unusual central figure for a 17th-century tragedy not only because she is a woman, but also because, as a woman, she combines virtue with powerful sexual desire.


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  6. Dympna Callaghan places Webster's character in the context of contemporary drama, politics and discourses about widows and female sexuality. Both struggled to balance power with love, and the obligation to choose an appropriate partner.

    Created: c. Explore further Related articles. An introduction to The Duchess of Malfi Article by: Michael Billington Themes: Gender, sexuality, courtship and marriage, Tragedies, Renaissance writers, Power, politics and religion Michael Billington explores the source material for The Duchess of Malfi and the play's reception over the last years, and argues that Webster uses the tragedy to offer a vision of human existence as chaotic and unstable.

    The Duchess of Malfi and Renaissance women Article by: Dympna Callaghan Themes: Gender, sexuality, courtship and marriage, Renaissance writers, Tragedies, Power, politics and religion The Duchess of Malfi is an unusual central figure for a 17th-century tragedy not only because she is a woman, but also because, as a woman, she combines virtue with powerful sexual desire.

    Iron chastity belt, possibly 16th century Possibly 16th century. Woodcuts showing the four humours and marriage in Peacham's Minerva Britanna. View all related collection items.